One among the foremost important characteristics of the early Baroque style was a shift from a polyphonic texture to a homophonic texture. Prima practica was described as the previous polyphonic ideal of the sixteenth century, with flowing strict counterpoint, prepared dissonance and equality of voices. Seconda practica used a lot of freer counterpoint with an increasing hierarchy of voices emphasizing soprano and bass. In Prima practica the harmony controls the words. In Second practica the words should be in control of the harmonics. Others called the two practices “stile antico” and “stile moderno” meaning old and modern style. This was signified by the new style of monody, which was used in order to express the meaning and emotional power of the words. However, this only was achieved by abandoning the elaborate polyphony and returning to some sort of texture reminiscent of Greek monody, which ultimately led to the invention of early Baroque monody.