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Lord of the Flies is mostly about fear

Lord of the Flies is mostly about fear. The boys shows a lot of fear in many things throughout the book. They see and hear things on the island and assume that it’s some type of beasts or creatures around. After disorder on the island, a group of hunters offer a gift to the much sought after and feared beast. A boy that is not with the group of hunters, encountered their gift to the feared beast and he had talked to it to learn the causes of the evil on the island.
The author William Golding’s was born on September 19, 1911 in St. Columb Minor, Cornwall. He was the younger son of Alec and Mildred Golding. His father, that came from a working-class Quaker family near Bristol, was a science teacher at Marlborough Grammar School. Golding and his brother, Jose, attended this school and grew up in Wiltshire. Strongly influenced by his father, he enrolled at Brasenose College, Oxford, to study natural science. But after two discontented years, eager to escape “the labs where the frogs twitched and the rabbits’ guts swelled in the hot summer humidity”, he switched to English and became especially fascinated by Anglo-Saxon poetry.
The tone of Lord of the Flies is fairly aloof, creating a sense of removal from the events. The boys on the island generally treat each other with a lack of sympathy, and, similarly, the overall tone of the book expresses neither shock nor sympathy toward what happens. Events such as the deaths of Simon and Piggy are related in matter-of-fact detail: “Piggy fell forty feet and landed on his back across the square red rock in the sea. His head opened, and stuff came out and turned red.” The tone here is resigned, expressing no surprise at the violent death of one of the main characters. The sense is that the deaths are as inevitable as the tide: “Then the sea breathed again in a long, slow sigh, the water boiled white and pink over the rock; and when it went, sucking back again, the body of Piggy was gone.” By focusing on the natural world in the immediate aftermath of the death, instead of the boys, Golding distances the reader from the emotion of the scene, but his precise details about what Piggy’s broken body looks like impart a sense of horror and disgust.
Throughout the novel, Golding’s tone suggests the island itself is as responsible for what happens as the boys. Golding’s tone when describing nature is anxious and distrustful. He personifies nature as a violent, vengeful force. The heat becomes “a blow that (the boys) ducked.” The trees rub together “with an evil speaking.” The tide is a “sleeping leviathan” and the sea boils “with a roar.” Clouds “squeezed, produced moment by moment this close, tormenting heat.” Evening comes, “not with calm beauty but with the threat of violence.” The boys are presented as almost as vulnerable to the forces of nature as to each other, sustaining the tone of justified fear. Nature is a destructive force that elicits the boys’ most savage natures. Their growing discomfort and unease with the effects of nature, as expressed by Ralph’s disgust at his filthy clothes, overgrown hair, and unbrushed teeth, heighten the tone of anxiety.

In the midst of a raging war, a plane evacuating a group of schoolboys from Britain is shot down over a deserted tropical island. Two of the boys, Ralph and Piggy, discover a conch shell on the beach, and Piggy realizes it could be used as a horn to summon the other boys. Once assembled, the boys set about electing a leader and devising a way to be rescued. They choose Ralph as their leader, and Ralph appoints another boy, Jack, to be in charge of the boys who will hunt food for the entire group.

Ralph, Jack, and Simon, set off on a campaign to investigate the island. When they return, Ralph announces that they should light a flag fire to draw in the consideration of passing boats. The young men prevail with regards to touching off some dead wood by centering daylight through the focal points of Piggy’s glasses. Be that as it may, the young men give careful consideration to playing than to observing the fire, and the blazes rapidly immerse the woodland. A huge swath of dead wood wears out of control, and one of the most youthful young men in the gathering vanishes, probably having consumed to death.

There are such a significant number of contentions in the ruler of the flies, however the principle struggle is Ralph and Jack. This contention is about Jack and Ralph, and who will win between the two. They didn’t realize that this pressure was made among Ralph and Jack would end in catastrophe. This contention began when the young men got together on the shoreline. They had a vote in favor of who will be the pioneer, Ralph had beat Jack and gets distraught when he loses. As they walk the island, weight starts to develop between Jack, who simply need to go chasing, and Ralph, who trusts the vast majority of the young men’s endeavors, ought to go towards building covers and keeping up a flag fire. At the point when gossipy tidbits surface that there is a type of monster living on the island, the young men become dreadful, and the gathering starts to separate into two camps supporting Ralph and Jack. Jack shapes another clan out and out, completely submerging himself in the viciousness of the chase.

It is evident from the first occasion when that Ralph and Jack meet that there will be a battle between them. In section one when the two meet Jack naturally announces himself the pioneer while Ralph has himself as a main priority for the position. Another contention in this story is the young men versus nature. The young men must battle to remain alive, and battle against a nonexistent monster, or, in other words imbedded in part of their temperament. One thing that makes Ralph and Jack have pressure between one another is their distinction in what they have confidence in. Ralph says they should maintain control, and keep the fire consuming, and begin to manufacture shield. Jack then again thinks in an unexpected way, Jack sees this island as an amusement and ends up fixated on chasing.